Published 09-03-2026
Keywords
- Nausicaä of the Valley of the Wind,
- animated film,
- soundtrack,
- harmony
Copyright (c) 2026 Cambridge Arts and Humanities Research

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Abstract
This paper focuses on four selected cues from the animated feature Nausicaä of the Valley of the Wind. Through close observation and study of their harmonic phenomena, the author examines how the music merges with the visuals from two perspectives: (1) the way tonal planning and chord progressions in the score drive the narrative and (2) their reflection of the film’s imagery. The aim is to illuminate the composer’s characteristic fusion of music and animation. All musical examples are drawn from Joe Hisaishi & Studio Ghibli Best Piano Collection.
References
- Yang Tongba. Harmonic Analysis Tutorial [M]. Shanghai: Shanghai Music Publishing House, 2005.
- Sang Tong. Six Lectures on Harmonic Topics [M]. Beijing: People's Music Publishing House, 1980.
- [Soviet Union] I. Duboski et al. Harmony Course [M]. Translated by Chen Min. Beijing: People's Music Publishing House, 2008.
- [USA] Kostka. Materials and Techniques of Twentieth-Century Music [M]. Beijing: People's Music Publishing House, 2002.
- Wang Long. Study on Harmonic Techniques in Joe Hisaishi's Animated Film Music [D]. Jinan: Shandong Normal University, 2014.
- Jiang Wei. Integration of Modern Harmonic Vocabulary and Traditional Composition Techniques—Taking Joe Hisaishi's Animation Score IL PORCO ROSSO as an Example [J]. Popular Literature and Art, 2014, (01).
- Bai Maomao. Study on the Harmonic Characteristics of Joe Hisaishi's Animated Film Music [J]. Voice of the Yellow River, 2014, (02).
- Wu Yanru. Concert Notes on "Joe Hisaishi in Budokan" Symphony Concert [J]. Popular Literature and Art, 2011, (08).