Vol. 2024 No. 4 (2024)
Articles

The return of the collective narrative benchmark in contemporary literature

Benjamin Thomas
The University of Sheffield Western Bank, Sheffield, South Yorkshire, S10 2TN, UK
Sophia Amelia
The University of Sheffield Western Bank, Sheffield, South Yorkshire, S10 2TN, UK

Published 24-09-2024

Keywords

  • Contemporary Chinese Literature,
  • Collective Narrative,
  • Literary Essence

Abstract

A review of various types of classical Chinese literature reveals a common characteristic of collective narrative. The significance of collective narrative stems from the relationship between people, culture, and literature. Literature is the way people play with memory, while culture is the guideline for human life activities. People need culture to guide practice and need literature to interpret metaphysical questions that culture cannot demonstrate. The root of the current literary crisis lies in the rebellion of literature against the collective nature of culture, causing literature to detach from real culture and become a game of pure personal imagination. Only by focusing on human reality, repositioning with culture as the coordinate, and returning to collective narrative can literature escape the crisis encountered in the new era.

References

  1. Abrams, M. H. Mirror and Lamp [M]. Translated by Zhang Zhao Jin, et al. Beijing: Peking University Press, 2004: 20.
  2. Chen Dong. Divine Tomb [M]. Beijing: Jiu Zhou Publishing House, 2008: 445.
  3. Mo Yan. Frog [M]. Shanghai: Shanghai Literature & Art Publishing House, 2009: 120.
  4. Wu Keli. Collected Works of Wu Keli [C]. Harbin: Heilongjiang University Press, 2011: 342.
  5. Stavrianos, S. Global History [M]. Translated by Wu Xiang Ying, et al. Beijing: Peking University Press, 2013: 12.
  6. Liu Shu Xin. Literature and the Dilemma of Human Existence [M]. Beijing: China Social Sciences Publishing House, 2011: 1.
  7. Lu Yang. Introduction to Cultural Studies [M]. Beijing: Higher Education Press, 2012: 5.
  8. Quan Ya Ning. Cultural Awareness and Literary Theory Over Thirty Years [M]. Beijing: China Social Sciences Publishing House, 2010: 16.
  9. Li Yan Bo. Sino-Japanese Historical Reflections [M]. Shanghai: Shanghai Academy of Social Sciences Publishing House, 2013: 163.
  10. Schiller, J. C. Schiller's Complete Works [M]. Translated by Liu Dong, et al. Beijing: Peking University Press, 1984: 584.
  11. Danesi, M. Cigarettes, High Heels, and Other Interesting Things: An Introduction to Semiotics [M]. Translated by Xiao Hui Rong, Zou Wenhua. Chengdu: Sichuan Education Publishing House, 2012: 119.
  12. Cheng Ge. Introduction to Literature [M]. Changchun: Northeast Normal University Press, 2006: 65.